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Time to Paint

rendering familiar beautiful scene

Strawberry Alley - digital painting - Dan Beck 2007

Strawberry Alley - digital painting - Dan Beck 2007

Down the road from me is a view - that has been catching my eye since I first saw it seven years ago. It changes through the seasons but always has these overlapping hills through a small window through the eucalyptus trees.

Whether it is plowed and furrowed or actually producing berries - I am drawn to it. For whatever reason - perhaps a matter of the right timing I have not chosen to paint it up until now.

Perhaps I wasn’t ready - a difficult view to give justice to - but I am happy with this rendition. I am finding that this image is translating the kind of pleasure I feel when I look at the actual scene.

I added a couple of extra hills here and the eucalyptus is kind of bamboo like - and so perhaps it is more of a “strawberry fields forever” than the alley that it is.

No matter - I find this to be a very pleasing digital painting and am looking forward to seeing a large art print for a more optimum effect.

See Also

  • Checkerboard Valley - an earlier work with overlapping hills and portrait orientation - depth can be a little confusing in this piece but still quite pleasing with the quick figure in the foreground
  • The Eucalyptus of California - everything most anyone could want to know about eucalyptus and more
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Fleeting Glimpse and Fast Work

Momentarily Captured

Sunset Over Artichokes - digital painting - Dan Beck 2007

Sunset Over Artichokes - digital painting - Dan Beck 2007

Above is my most recent digital painting - on my way home that evening I happened to take the route through the artichoke fields and glimpsed this sight.

It was fleeting - the color, the depth, the folding hills - some from reality, some from memory - but the portrayal worked.

I have shied away from doing artichokes - more jagged and painstaking a subject than I really want to get into - I generally find them other worldly. But in the light of the sunset - they were warm rows - less defined and calling my name.

And I knew I must paint what I had seen -

After one sitting I stopped here - because I really liked it - I worked on it more the next day as you will see later - but I think I captured more of what I wanted in that first sitting alone.

See Also

  • Fennel Field & Sky - first day’s stopping point - captures spirit better than successive versions - this is purchasing info for art prints of a different but stylistically similar work.
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Solving the Wrong Problem

technology’s quirks yield frustration’s art

Palette Crap - digital painting - art prints - Dan Beck 2007

Palette Crap - digital painting - art prints - Dan Beck 2007

As a result of upgrading my Mac’s operating system to something more fashionably late, my painting program has new and improved quirks. This seems to be the norm for technology - as I think about all the various pieces of equipment (not restricted to computers) that have such little quirks - even the locks on my car - rather mechanical - but still.

So the above digital painting was born somewhat out of frustration - it was about being able to build new texture/colors and save the palettes. In my attempts to not have the program crash, I tried removing all sorts or things - getting it to work and systematically putting them back until it failed again.

But as the way with logic sometimes - my successes did not have to do with my interventions but something different I cannot see.

But I was able to have fun scribbling and did save some new palettes finding out if I saved the piece first I had a much better chance of success - and at least a couple of fun new digital paintings and accompanying art prints.

See Also

  • Process - gallery piece about finding out how to paint with paint from a section of one’s own painting - part of my current struggle to be able to save
  • FUMARE: And Now For Something Completely Different - one of my blog practices is to do searches for phrases which I have written in an article that I like - searching for “something different I cannot see” this I found interesting - even though it is not otherwise particularly related - barring perhaps the human factor in all technology
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Boat of Another Time

The Sea and the Digital Medium

Boat on an Ocean

Boat on an Ocean - digital panting / art prints - 2000 - Dan Beck

Not sure how this will format, which is part of the reason for choosing this digital painting today.

This piece feels like a very long time ago - a different life time. It was an image out of my mind - and from another mixed media piece.

I just wanted to see how the sea might look using the digital medium. You may or may not notice, but every section of color is outlined in this piece. At the time I created this piece, I did not know how to control the thickness of the line, let alone the color, or how to have no line at all.

But that was not why I said it was a world ago.

See Also

  • Boat on an Ocean - art print options and availability for digital painting Boat-on-an-Ocean
  • SeaFogged - a look at a more recent take on the ocean albeit a much calmer one.
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Demonstrating Raw Possibility

sharing the excitement of digital painting

scribble 7 - digtial painting demoscribble 8 - color fill - demo continued

Scribble 7 - transparent pattern Scribble 8 - gradient fill/overlap

This is a demo of how colors can overlap using this program (appleworks) and this freehand tool.

The whole idea is to give insight into the process and share some of my enthusiasm.

In actuality, when I paint I use two monitors - one holds all my tools and the other allows me to view my work more fully and without distraction. I learned the idea from my friends at Vectorpoint, who do a lot of photoshop work.

So as I look at the last example - enlarged on the right - abstract, probably as finished as it ever will be - I am thinking and seeing -

POSSIBILITY…

Looking through the blog image guide or just through the website, you can see some of the places I have taken this already.  But this is raw and was one of my first big excitements with digital painting.

See Also

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Compelled to Paint

Picking - the scene through the window

WindowView1 - unfinished digital painting - Dan Beck 2006

Window View 1 - unfinished digital painting - Dan Beck 2006

I was looking out the breakfast room window and had this view.  I removed the little bit of yard, fence, and road and took my eye directly into the fields across the street.

There were actually a few more people hunched over quickly picking berries into flats into packages and flats that were generally unseen. But this seemed the right amount for composition and digital painting canvas size. 

I was compelled - even though this has been a popular them for me. Maybe I don’t feel I have gotten it right yet - maybe it is because it is all around me right now and maybe its because immigration has been such a hot topic recently.

I like the loose swimming look that the piece has currently - it will be interesting to see how it ends up when it is done - kind of hope I can keep it simple - we will see…

See Also

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Completed Digital Painting

Attitude perhaps more important than Art

Grandeur From The Gorge - digital painting - 2006- Dan Beck

Grandeur from the Gorge - digital painting - 2006 - Dan Beck

The is the final in a three part series on the creation of this piece - from sketch, to filled-in sketch to the above.

I was successful in creating the majesty of the mountains in contrast to the smallness of the field workers and of course in contrast to us, the viewer. I am pleased with the way I painted the mountains and even created the grape rows.

I am pleased with a lot of aspects of the piece and some of the adjustments made to make the flow of the eye work better - the mountains on the left, the grape rows on the right, the grape rows on the left and even the big giant shadow.

But I am not ecstatic with it, not even delighted. Perhaps it is part of being too close or perhaps it just didn’t come together in the end quite as well as I’d hoped - or maybe it is because I am not feeling 100% at the moment and nothing seems that good.


Being pleased with something we have done or something we have viewed is so much about what we bring into it - our attitude is much more telling of whether something will be received well - than is the actuality about the piece - if there even is such a thing.
So perhaps your attitude is better than mine today - if you like the piece and are interested in possibly purchasing an original art print - please email specialorders@outhousestudios.net.In the mean time, I think I must live to paint again.

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