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Abstract 1 - digital art - improvisation - Dan Beck 2008

Creating an abstract painting for me is like improvising music without a chord progression. I start without a plan - just moving and creating shapes - overlapping , building, not so much thinking as observing.

The digital painting is about the process - the movements, the colors, the layering. Whatever form there is happened out of this dance of color - out of the play of comfortable swirls and movements - watching, observing - adding with balance - but not so much that is feels even and symmetrical … these are my rules - my way of doing - one layer of color at a time - occasionally coming back to an original color, but generally adding only new variations.

The black lines were not thought through either - but there seems to be a bit of a tree shape - a common theme right now - not surprising a comfortable motion would yield such a reference.

This is probably the truest dan art - if there is such a thing. All my representational, impressionist, landscape art, or figure art etc. draw from the vocabulary and techniques developed from this abstract play, and if not, it was because I permitted the same degree of looseness in the other work.

See Also

• Abstract Art Gallery - some of the abstract explorations at Outhouse Studios
• Improvisation - Milestones of the Millenium - discussion of how classical composers improvised - though not discussing how communication itself is about improvisation - music and art connect and this connects to something I was thinking about earlier today

drive by landscape - fields, sky, and texture

Valley Colors - digital painting - Dan Beck 2007

There is a spot which this is loosely based on - I drive by it fairly regularly and it has a good view of the valley extending to the Santa Lucia Mountains and Mount Toro.

Like a lot of my work, it is more of a drive by impression - I saw color, and a few barns or houses, a few trees - but mostly the colors of sky and fields.

This is not a piece which knocked me over when I was finished - I wasn’t really sure about it - but there are many things I like: the short field growth in the front, the way the cloud twists like a ribbon, and the beautiful texture in the green field.

My eyes and mind move around the landscape well - so I guess I did ok.

Like all but a couple of my pieces - I started with a blank page and painted and created the digital painting by the strokes of a mouse.

See Also

• Big Valley 1 - another digital painting taken from an impression of pretty much the same spot

• UC Vegetable Research & Information Center - several good images of Salinas Valley plus some information about agriculture

• From the ground up - an image of the Salinas Valley brought me to this site - good article about small organic growing in the area and the group ALBA