The Practice of Digital Painting
August 2nd, 2006 by admin
working differently to keep things fresh
No Particular View - digital painting - Dan Beck 2006
When I started painting this morning I didn’t have any particular scene in mind - no scene burning inside me and no real concept. But as quickly as the first mark I found myself taking things differently. This is not an uncommon practice for me -
in fact, it is my practice in both senses of the word.
It is important to keep things fresh - for me, it is often something simple. In this case I started with single lines to define the piece. I used a combination of freehand color gradient drawing, lines, and fill-in’s to make the fields and mountains what they are.
It is not a complete departure from how I normally work or a complete departure from my other work. What I was able to do without a specific scene in mind, was accomplish the feeling of hills, sloped fields, and mountains that is the Salinas Valley.
For art prints of the above digital painting - please email: specialorders@outhousestudios.net for quotes and options.
See Also
- Irrigate 1
another landscape of similar origin - one which has passed the test of time - Fast and Beautiful: The A-life Undeadening of Painting via the Digital
singing the praises of the digital medium - in practice I concur - practice
a philosophic discussion of art and practice
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