Blog Home | Image Index | All Works | Tag Cloud

What's New

The Latest Postings for Outhouse Studios Weblog

Subscribe Google Reader or Homepage Add to My Yahoo! Subscribe in NewsGator Online Windows Live

One, Two, Tree

images of significance - digital painting references development

Treework - digital painting - Dan Beck circa 1999

Treework - digital painting - Dan Beck circa 1999

Earlier I wrote that I try to strike the balance between create and created, artist and audience.

Earlier I had written a complete article about the significance of trees for me - pointing out how there were three in the art-chives where the above digital painting is housed on my site … about how trees were so significant because they were one of the first things I could draw which looked representative of what it was and also be interesting.

I also wrote about family trees and branching out and having established roots - how trees are such a fine metaphor… and even the Wizard of Oz - where trees talk and pitch - wonderful.

A tree was also the image for the CD cover of my previous album: About Time - showing the concept and passing of time in an image itself.

But that was earlier - and that entire article was lost - and that is also part of being creative - making the best of bad circumstances -

earlier I might have even agreed with that.

See Also

  • Treework
    availability of art prints for above digital painting
  • Textured Tree
    another tree - first with texture - please click “enlarge” to see adequately
  • Tree Rings Record Annual Growth
    Mostly things we all know - but some perhaps not - pretty amazing nevertheless
Relevant Tags:, , , , ,

Finding Beauty?

Art, Ugly & Beautiful, Aesthetic Crossroads

One of the things I enjoy in viewing art, creating art, and interpreting the world - is the cusp between ugly and beauty. We take as common place the expression - " so ugly he’s cute" - but much of the world is the same way. So much so that people talk of beauty being in the eye of the beholder. I never cared for that expression much - because it tends to negate the realness of beauty.  Plus as I have stated elsewhere, I believe that taste and perception of beauty are developed and change and grow over time.

It is interesting to note that in art - a little ugliness can make a piece work - note this snip-it of a review in the arts.telegraph how " both works slightly caricature their subjects, making them ugly and so undermining 19th-century conventions for depicting little girls as pretty, carefree creatures."  The work of many artists who have been ahead of their time have been frequently viewed like this.

What is more interesting to me - is finding the beauty in something everyday which is considered ugly or that piece which seems to be both ugly and beautiful at the same time. These are not necessarily pieces I would want to live with, but nevertheless find the crossroads fascinating.

I think like much of life, if you are looking for one thing you might find it by looking for what it isn’t.  Beauty can be found where there is ugliness, because it stands out. That beauty and ugliness are opposites is clear, but that they actually point to each other is a bit less obvious. 

See Also

Relevant Tags:, , , , , ,

Why Does A Piece of Art Speak To Us?

Taste, Development, & Patterns for Appreciation

The question of why something is found beautiful or appeals to us is one that has been asked continually. If one had the secret, could one always create things which appeal?  Are there even creations which are universally considered beautiful?

The closest we might find to universal beauty, I suppose, would be found in nature. I am not sure if anyone would question the beauty in a glorious sunset, but even that is not 100% certain.

What I have observed - is that each of us brings our experience at viewing, hearing, tasting etc. into each new experience.  Pieces of music which I originally found foreign as well as certain art when first viewed have become familiar over time and quite welcome. It is as though we are being asked to learn a new language when our experience is being challenged.

The point of this is not that we must learn to like things we don’t, but rather that appreciation and taste are developed. The most obvious example of how taste changes, would be how a child’s taste differs from that of the same individual as an adult.

At any level of appreciation, what seems to be the  pattern for whether one likes something - is that it must be enough like what has come before to be somewhat familiar, but enough different and new to be stimulating.

I suppose the real test of such beauty is whether it can continue to be stimulating over time.

Relevant Tags:, , , ,

Disclaimer | Webmaster   © 2008 Outhouse Studios
Close
E-mail It