Posts Tagged ‘creative process’

New Art Gallery on Website

Monday, January 30th, 2006

Figures Art Gallery and other Website Renovations

Fielding - Digital Painting - 2005 - Dan Beck

Fielding – Digital Painting – 2005 – New Figures Art Gallery

I have being doing renovations to the Outhouse Studios website. Though not complete it has left me as an absentee blogger.

So the expectation here is just to give some of the highlights. There are more than 50 new pieces on the site – including a new gallery mentioned above.

There is a new logo used on many of the pages and there is a new musical CD with many excerpts.

Creating galleries and making sure the images look good is a creative process itself. I have just recently found myself doing some website maintenance and design for others – it is not my main focus but is proving to be a good challenge.

The piece above is one that has continued to be one of my favorite images – I don’t know if it is the lack of sensible distance clues or the colors or the figures or just its importance as a piece with figures in it – but I continue to like it very much.

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Creating Digital Art, Creating Period

Saturday, November 5th, 2005

New Approaches, Relaxed State, Recognition

Field Play - Digital Art Example

Field Play – Digital Painting – April 2005

I am going back in time a bit to a piece I created last Spring.  It has just come down from being on display and I am reminded of the feeling when it was finished.

It is said that an artist never knows what work of his is good. I think sometimes artists do get too caught up with circumstances and sentimentalism to recognize their strongest work.  Part of the creative process therefore, is to show one’s work to other people and other artists in particular.

The piece above was created because the previous piece (see below) did not work as I had hoped. Although I like the piece and it has been particularly well received, it did not achieve exactly what I was hoping for – one of the techniques I used, creating the figures in a different painting and pasting them in, I have not wanted to repeat.  Actually, the piece below is a wonderful example of how an artist does not always know his own work. I was disappointed enough with a certain aspect of the piece to be ready to dismiss it.

Field of Hoes - Digital Painting 

Click Field of Hoes for large version - Digital Painting 2005

The top work, Field Play was created in a more playful manner. I was having fun with the medium creating this swirling multi-colored manipulated space – the field backdrop. I was relaxed, unconcerned about mistakes, and after I quickly put the figure in – I knew I had created something strong and unique. Sometimes we just know we have hit it right.  

What I was struck with today, and what made me write on this subject  - was that I noticed a similar relaxed state today while playing guitar - though something I do regularly experience – today it was incredibly clear – and for some reason the same old licks sounded fresh and wonderful – and that attitude allowed me to create new improvisations in places not before seen. 

This relaxed non-judgemental attitude is in my opinion where the best works come from.

These works like the others on the blog – will be available for purchase at Outhouse Studios in the not too distant future. I am still considering options for updating the site and how to add new art more easily.

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The Position of the Artist

Wednesday, September 21st, 2005

Artist , Musician, Creativity, Listening, and Observing

The question of where the artist sits in relation to his work is an important aspect of the creative process and even the finished work.

I suspect it is different for different artists, but there are similarities that can be found as well. In some cases, people approach their work as the great shaper, not stopping until the piece is formed exactly as they imagined. In other cases, people approach their work with more give and take and find themselves going in the direction that the work or medium directs them.

My personal leaning is towards the latter. I like to start with intention, but am not opposed to going in the direction that the piece warrants and pulls me.

Similarly, in music one finds that the role of playing with other musicians requires that kind of subjugation to the overall sound. In an article in The Australian, renowned guitarist Ralph Towner states: " With a group, you have to find a role in the music … and of course the roles change too. You can be chameleon-like. There’s a lot of three-dimensional play. You have to adjust to the other people’s concept of rhythm and harmony and the way they negotiate musical space."

There are other ways in which one can be immersed. According to Emeka Udemba, in an article about Nigerian art breaking borders in the Daily Independent, “For as long as there have been urban environments, artists have found inspiration in them. Creative people have made meaning from the many layers of culture, changing technologies, sense of accelerated time, changes in the social polity and aesthetic allegiances within the cityscape.”

In short the immersion of oneself either in one’s environment or during the process of creating seems to be a great part of the creative process. This is one of the things which is so valuable about the creative process – it is a place one can be incredibly focused and in the moment. There are many who feel there is nothing more real than this being in the moment.

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Creative Process : Two Aspects

Monday, September 19th, 2005

Intention, Artistic Process, Improvisation, & Learning

There are two levels in which we generally talk about the creative process. The first has to do with intentionality – the dialogue of the time or intent prior to doing the work. When one approaches a work, one is bringing in to play that which he has seen and experienced before.

In particular art movements, such as, abstract expressionism, the artists were not only talking with each other but to the art which had come before. The New Nation writes:  "In a famous letter to the New York Times (June 1943), Gottlieb and Rothko, with the assistance of Newman, wrote: ‘To us, art is an adventure into an unknown world of the imagination which is fancy-free and violently opposed to common sense. There is no such thing as a good painting about nothing. We assert that the subject is critical.’ "

The point is that having an idea of what one is going to create or at the least a starting point, is essential to the creative process and along with perhaps inspiration is the starting point of creating.

The second aspect of the creative process is the work itself. Since creating is ongoing – it is the process which is what is most important. From my own perspective, it is about being in the flow, not letting oneself get bogged down or stuck, feeling a rhythm and not getting caught in fear of making a mistake. Most errors can be fixed, but stopping will cement them.

In a quote from the Albuquerque Tribune:  Visual Arts, the artist creating a lifesize stonehenge of old refrigerators says,  "I’ve learned to embrace the process. The process can be more revealing than the completion."  The Billings Gazette describes the work of a glass artist and says: "From blank glass to finished work, the process is all-consuming. Burton begins each new piece with a vision."  In the Arizona Daily Wildcat, there is a story about an artist who creates sculpture out of books – she is attributed as saying,  The artistic process forces you to question yourself, while also learning new things about yourself. And The New Nation writes about the abstract expressionists:  "These artists’s valued spontaneity and improvisation, and they accorded the highest importance to process."

It is the journey not the destination  – I am obviously not the only one who views the creative process this way – but then like all of us, I am part of a long tradition of different culture, art, and the same shared human race.

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Creative Process & Blog Writing

Friday, September 16th, 2005

Art, Community, Sharing, Creating Meaning

As I write today, it is with the type of process that one might use to create any work of art or piece of music. Something strikes you – you either stumble upon it, see it, hear it etc. A little later you stumble upon something else which strikes you. You don’t see a connection except for their proximity to you. But being the creative sort who looks for connections or meaning – you string together or weave together what might be otherwise disparate events.

So with that said, as I searched for news stories related to something I might feel like writing about – I found several articles which each had something interesting in them.

The first article I saw had a great title "Open Your Art". It was about a new art center that was 30 years in the making and how the artists had no place to congregate or share and there was "no place for them to create art bigger than their individual dreams."  I love that line.

This idea of art being community oriented came up again in another article about a trio converting a warehouse space into art studios. What I enjoyed the most about this article, was how the group described wanting to have control over their own space while also wanting to share it; but more amusing was the photo where they all wore masks – wanting to be in control of their own images – but of course.

In another article – about being in control -  an artist/professor insists “I want students to begin to see themselves as artists; because, as I tell my students, the first person who needs to think you are an artist is you.”

The two other articles will be referenced below. One I found interesting because it was about creating art using what you have available - a theme I have been writing about. The second was a tale which though absurd pointed out the difference between the sum of the parts and the whole and is a fun story.

To sum up, if that is possible. Open your art to community, to sharing, to believing in yourself and what you have to offer. Don’t underestimate what you have available and don’t over analyze what you create.

And finally, don’t hesitate to put together the disparate pieces of your world in a way which is creative and perhaps meaningful. 

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Art as a Place of Refuge

Monday, September 12th, 2005

Timeless Creation, Appreciation, Openness, Change

For the person creating, time can stand still. There is nothing else in the world than the creation at hand. When one dances there is only movement. When one paints, there is just color and form. When one plays the sounds of music, the music becomes the world you breath. Though not exactly mediation, the process of creating is potentially just as mindless and potentially just as timeless.

But art is also a refuge in other ways. Though there is always criticism, there is always the security of unique creation – something which doesn’t need to be defended – something which is your own. And though there is competition in every form of art – in its true state it is more of a collaboration and appreciation. We do not create in a vacuum and we do build upon each others ideas – whether they are current or from another time. Art is generally not about tearing down unless rebuilding is to follow.

There is another place of refuge for art as well. In Gilroy, CA (see Dispatch11 Palestinian, Arab, Jewish, Israeli and American artists have gotten together to have a show entitled "Piece Process 3". The premise is that  “It’s not a ‘peace process’ it’s about the process. Art cannot undo things, but we can demonstrate how we can work together,” said Granite Amit, an Israeli born Jew curating the event. “The goal is to create a space where we can meet and talk. The idea is we’re not going to censor each other.”  “Our art pieces are having a dialogue … some of it is angry, some of it is overflowing with love. We’re not telling people to feel a certain way,” Pitman-Weber explained.” In our little art show we’re kind of acting out a (way to live together.)”

This open listening and acceptance is part of the creative process and for it to carry over into the political world is both natural and part of history. The above is a wonderful example but not the only one in today’s news.

In a story about an artists’ collective in Minneapolis-St. Paul, the Minnesota Women’s Press, states  “What I’m trying to do with my art is build a different kind of society and to do that, we have to learn how to work together,” said Meg Novak, one of the founding members. “So it’s definitely a direct experience in direct democracy and decisionmaking by everybody involved that I really value.”

Art and Creativity are best when open to possibility and differences. Because of that they provide a refuge both from the world and to a better world.

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