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The Position of the Artist

Artist , Musician, Creativity, Listening, and Observing

The question of where the artist sits in relation to his work is an important aspect of the creative process and even the finished work.

I suspect it is different for different artists, but there are similarities that can be found as well. In some cases, people approach their work as the great shaper, not stopping until the piece is formed exactly as they imagined. In other cases, people approach their work with more give and take and find themselves going in the direction that the work or medium directs them.

My personal leaning is towards the latter. I like to start with intention, but am not opposed to going in the direction that the piece warrants and pulls me.

Similarly, in music one finds that the role of playing with other musicians requires that kind of subjugation to the overall sound. In an article in The Australian, renowned guitarist Ralph Towner states: " With a group, you have to find a role in the music … and of course the roles change too. You can be chameleon-like. There’s a lot of three-dimensional play. You have to adjust to the other people’s concept of rhythm and harmony and the way they negotiate musical space."

There are other ways in which one can be immersed. According to Emeka Udemba, in an article about Nigerian art breaking borders in the Daily Independent, “For as long as there have been urban environments, artists have found inspiration in them. Creative people have made meaning from the many layers of culture, changing technologies, sense of accelerated time, changes in the social polity and aesthetic allegiances within the cityscape.”

In short the immersion of oneself either in one’s environment or during the process of creating seems to be a great part of the creative process. This is one of the things which is so valuable about the creative process - it is a place one can be incredibly focused and in the moment. There are many who feel there is nothing more real than this being in the moment.

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Not Blocking Inspiration

Creative Inspiration, Recognition & Process

In three recent web news articles, three different people were quoted about their views on creating art and what is most important. All three took a very similar posture that art can not cater to what is accepted but rather should answer to its own voice.

Artist Pratuang Emjaroen was quoted in the Bangkok Post(8/9/05 - article now N/A)as finding his inspiration from current news and events - that he sees art and his work as a "counter balance for the suffering. The world today is very commercial; nothing is free. But art is free, with no expectations. It can provide support for the whole world.” 

Similarly in Pitch.com Eleanor Heartney is quoted as describing what creativity isn’t:  "It’s not about finding the thing that pleases the greatest number. It’s really about finding the thing that isn’t particularly welcome at the moment it comes forward."

The general theme is to not create so much to please others but let the creative mission rule. And though I believe they are generally correct about how to create, we are not living in a vacuum and many of our aesthetic choices are necessarily dictated by common culture and consensus.

However, there is a message that can be taken from this thinking and applied completely. So much of what inspires us, we reject. We look at the thought and say trite, boring, overdone, who would care, etc.  Sometimes being creative means developing the mediocre idea and finding out where it leads. Just like life being a journey - creativity is about the process - the finished pieces are like a gift. Try not to reject them before you even create them - advice I wish I could heed better myself.

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